![]() The delimiter can be only one character in length, and double quotation marks (") cannot be used as the delimiter character. Enabled when the Custom Delimited format is selected. Specifies the custom delimiter character to be used to separate columns. "mm" denotes numbers for months "mmm" denotes letters for months. Date data types can be in the following formats: "dd-mmm-yy", "mm-dd-yy", "mmm-dd-yy", "yyyy-mm-dd", or "yyyy-mmm-dd". This list is enabled if a file has been selected in the Tables list.Ĭan be BIT, BYTE, CHAR, CURRENCY, DATE, FLOAT, INTEGER, LONGCHAR, SHORT, or SINGLE. The order of the columns reflects the order of the columns in the table. Lists the column names for each column in the selected table. Defaults to FALSE if the format of the item selected in the Tables list has not been previously defined by this dialog box. Indicates whether the columns of the first row of the selected table are to be used as column names. This defaults to OEM if the format of the item selected in the Tables list has not been previously defined by this dialog box. The following options are available in the Define Text Format dialog box: OptionĪdds a column using the values in Data Type, Name, and Width from the dialog box, and if applicable, the Date Separator value from Schema.ini.ĪNSI or OEM. The Text driver does not change the format of an existing text file to match the format defined in this dialog box, but returns an error when it uses the format, such as when it attempts to retrieve data from the text file. All files created by the CREATE TABLE statement inherit those same default format values, which are set by selecting file format values in the Define Text Format dialog box with chosen in the Tables list. You are working on a Macintosh, save your file in the Windows CSV format.The same default file format applies to all new text data tables. Under Choose the delimiter that separates your fields, click the delimiter you want. In the File name box, type the name you want. To Design View, and then change the field names you want.Ĥ. Click the Save as type box, and then select Text Only (*.txt). On the Table menu, point to Convert, and then click Table to text.Ģ. To convert a Word table to the delimited formatĢ. ![]() TXT file:Īs you can see, the end result of saving as a CSV or TXT file is similar. Here is the My Current Database file saved as a. TXT format contains little to no formatting (e.g., no bolding or Italics). Click Include Field Names on First Row, and then click Finish.Ī file in the. Under Choose the delimiter that separates your fields, click Comma.Ĩ. In the Export Text Wizard dialog, select Delimited, and then click Next.ħ. ![]() Click the Save as type box, and then select Text Files (*.txt, *.csv, *.tab, *.asc).”Ĥ. Navigate to the folder you want to save your file in.ģ. If you see a message asking if you want to save the active sheet or continue with this format,Ģ. In the File name box, type a name, and then click Save. ![]() Click the Save as type box, and then select CSV (Comma delimited) (*.csv).ģ. In Excel, on the File menu, click Save As.Ģ. If you save the above example as a CSV file and then open it in Notepad, it looks like this:ġ. and then save it in the CSV format, the database is converted to a text file with each line corresponding to a row in the table and all the fields in each line separated by commas. CSVĬSV stands for "comma separated values." If you have your database in Excel like the following: Since performing this upload successfully may require you to do some prep work in your existing database, here is some background information on what the CSV and TXT formats are and how to save your files in those formats. If you want to upload your existing database into a new mailing list in Lyris HQ, you can do so provided the file format of your existing database is either CSV or TXT. You are here: Email Marketing / EmailLabs > Members/Contacts-Lyris HQ > CSV and TXT Formats for Database Files CSV and TXT Formats for Database Files
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![]() Gradients may be used to backgrounds, borders, icons, buttons, text, and a slew of other design components as well. The background-image property may also be used to generate a gradient in the page’s background. We may use the CSS property background color to add a solid color to the background of our webpages. We have discussed about CSS Linear Gradient in this post. Starting with the fact that CSS gradient patterns are incredibly lightweight, you can be certain that they will not slow down the loading speed of your site. Use the background-image CSS property to declare gradients as a background. CSS gradient provides better control and performance over using an actual image file of a gradient that you can create using tools like Adobe Illustrator. The most popular use for gradients would be in a background element. Because they are of the image data type, gradients can be used anywhere an image might be. These transitions are shown as either linear or radial. Many of the benefits of employing a gradient pattern can’t be matched by other design techniques. The CSS gradient displays a smooth transition using two or more specified colors. What is a gradient Gradients are CSS elements of the image data type that show a transition between two or more colors. Using gradients in your design is advantageous since they are visually appealing, stylish, and generally enhance the overall appearance of your website. ![]() The noise image affects the dithering intensity (the one used here is quite pronounced giving a grainy look, but the effect can be much more subtle). This may be done by applying layers of gradients and masks to the areas where colours mix. It is possible to remove banding by mixing noise and CSS gradients, but the overall texture becomes muddy. The amount of dithering depends on the amount of noise in the image. Color mixing may be avoided by utilizing masks to control just the areas where the colors mix. It is completely free and open source software that you may use for your websites. Just duplicate the CSS3 gradient code once you’ve obtained the desired effect.ĬSS Gradient Text Background is a codepen.io project that employs a gradient to stylize the text in an HTML heading element. To alter the gradient style, simply drag the tool around the canvas with the mouse. Using the top navbar, you may add colors, lock particular options, and adjust individual gradient elements. ![]() From the direction of the colors (as many as you like) that fade into each other, to where those colour changes take place, you have total control with CSS. Instead of relying on an image file, use CSS gradients for greater control and performance. Text is contained within the dynamic gradient border.ĭetails Linear Gradient Border with RadiusĪ gradient may be used in CSS, much like a solid color can be used for the backdrop of an element. It is completely free and open source software that you may use for your websites.ĬSS Gradient Border with Animation is a CSS gradient border with animation applied as a border in a rectangular form. When this function is used, it returns an object of the gradient> data type, which is a subclass of the image data type. The linear-gradient() CSS function creates a graphic that has a progressive transition between two or more colours that runs along a straight line, as seen in the example below. Linear gradients are created by varying the angles (degrees) and orientations of the lines.ĭetails Repeating Linear Gradient Background Image Using the linear-gradient() function, you may produce a gradient picture that has a transition between two or more colours that follows a straight line.ĭetails Simple CSS Linear Gradient CSS Linear Gradient is a project on codepen.io that employs CSS linear gradients to color square tiles in a geometric pattern. With the help of the linear-gradient() function, the linear gradient may be constructed. Repeating Linear Gradient Background Image.If you want to change the angle of the shadow further, you can use top, bottom, left, and right properties accordingly. Gradient Shadow by Amit Merchant ( CodePen. You can adjust the amount of blur by increasing or decreasing the radius value for the blur() function. That will do the trick for us.Īnd finally, to make the shadow natural, we made it blurred using a combination of the filter property and the blur() function. Next, by positioning the pseudo-element absolutely and keeping its width and height 50%, we are making sure that it stacks on top of the box.Īnd to position it behind the box, we used a negative z-index. box ::before Īs you can tell, since we want a gradient shadow, we’re using linear-gradient as the background of the pseudo-element. ![]() Overall the game seems balanced, cars and bikes are different and have their pros and cons, but the game suffers from some AI issues, and this is the biggest complaint about this game. There is so much to enjoy in this game, drivability is super fun, graphics are amazing, sound design is superb, driving freedom is liberating and the high-speed adrenaline-filled sensation is never-ending. Realism here is not the main focus, instead, players have the freedom to race however they want, crash their cars or bikes, and still be able to complete the race. Midnight Club II offers players one of the most frantic, arcade experiences that videogames have ever seen. Assassins Creed Syndicate PC full game nosTEAM 34.7 GB Assassins Creed Syndicate PC full game nosTEAM 34.7 GB SRS Street Racing Syndicate - Racing. Races have multiple drivers and a winner takes your car documents model, which allows players to expand their garage and unlock new cars, racing tracks, and special moves. This was the universal challenge signal for illegal racing underground once – or at least that’s what Hollywood made us believe. Racing in Midnight Club II is as easy as meeting someone on the streets and flashing your lights at them. The cops know you are out there – don’t get caught. Use whatever routes, shortcuts and driving methods necessary to hit those checkpoints and arrive at the finish line before your opponent has a chance. Add insult to injury, as you win the suped-up rides of defeated adversaries, all on your way to being crowned international champion. Find yourself in the position of a novice challenger, set on penetrating this secret society and trumping them all, one by one. Members of the world’s most notorious illegal street racing syndicate meet each night on the streets of Los Angeles, Paris, and Tokyo. ![]() Choose from a collection of performance-enhanced cars or bikes and compete head-to-head to make a name for yourself. Midnight Club 2, the world’s most notorious drivers meet each night on the streets of LA, Paris, and Tokyo. Midnight Club 2 Free Download PC game in a pre-installed direct link with updates and dlcs, for mac os x dmg from Nintendo Switch latest. Supported formats are MP3, MP4, M4A, WMA, OGG, FLAC, MPC, WAV and AAC. AudioExpert AudioExpert is a Music Organizer Software to tidy, manage, clean up, align, sort, join/merge, and organize music archives resp. Amarok versions 1.1 through 1.4.x supported lookups via MusicBrainz, and versions starting from 2.4 support it again. The emphasis is on the quick and easy user interface, allowing for fast access to the media library. It supports many multimedia frameworks (like GStreamer, XINE, and aRts) to play music media and streams, and features a fresh and efficient approach to playlist handling. The following music library managers can tag your files with MusicBrainz data:Īmarok Amarok is a music player for KDE. Uses MusicBrainz data for looking up information/metadata as well as cover art from Cover Art Archive. VLC media player A free and open source cross-platform multimedia player that plays most multimedia files as well as DVDs, Audio CDs, VCDs, and various streaming protocols. Can fetch cover art from MusicBrainz and plus submit listens to ListenBrainz and/or Last.fm Tuneify A music app that uses Youtube API for song play and MusicBrainz data for information/metadata. Tauon Music Box An Audio Player for Linux putting the emphasis on playlists and importing from remote sources. Supports MusicBrainz for getting an showing additional data about the music in the library (since version 2.4). SonicStreamer Media streaming software that allows you to access you music from anywhere else. Plex Plex is a cross-platform media center, using MusicBrainz data to improve its music experience. Submits listens to ListenBrainz and pulls acoustic data from AcousticBrainz as part of its music discovery feature. Lightweight Music Server LMS is a self-hosted music streaming software using MusicBrainz identifiers to handle duplicated artist and release names. It uses MusicBrainz to improve its music experience. Kodi Kodi is a cross-platform software media center for playing videos, music, pictures, games, and more. Uses MusicBrainz data for looking up metadata. Built in Music stores for streaming / purchase. kJams Karaoke A cross-platform karaoke jukebox / media library / tagger / Ripper, and rotation management system that rips, plays, and burns Audio CDs, and CD+G / MP3+G (Karaoke), and plays most multimedia files. Jellyfin An open-source media server software which uses MusicBrainz to get several musical metadata especially about Artists, their ids, biographies(if it's available), songs/productions etc. Cloudtunes A free and open source web-based music player that unify between music stored in cloud (Youtube, DropBox, etc) and uses MusicBrainz data for music metadata. Can retrieve cover art from MusicBrainz for tracks that don't have it embedded. The community is actively developing MusicBrainz, and is offering a number of different products.įeel free to check out our server and database, and the license they're provided under.Media players and centers Aural Player An audio player for macOS, inspired by Winamp for Windows. This helps people to coordinate their editing efforts and to find like minded editors who have knowledge in similar areas.įeel free to contact or join these groups, or even to found a new one! The users who take care of the MusicBrainz database have started various small community projects around specialized areas. The MusicBrainz-Users mailing list archive also holds many discussions and informal agreements on formatting entries. ![]() ![]() The editing tips provide information on how editing works and suggestions on the most effective ways to add new data and correct data that has errors or doesn't follow the style guidelines.The style guidelines have information on how the data in MusicBrainz should be formatted and organized.This wiki has important guidelines that help you determine how data on the database should be added and modified. If you cannot find an answer in the FAQ, search the MetaBrainz forums to see whether another person has asked the same question before. You are likely to find the answer there to your question on how to use MusicBrainz. These FAQs are maintained by the MusicBrainz community. New users can find an introduction to MusicBrainz in this Wiki, as well as an explanation of the Picard Tagger and how to contribute. The MusicBrainz Wiki is a dynamic and growing information resource to help you understand MusicBrainz, learn how to use and contribute to it more effectively, and to help shape the direction it takes into the future. ![]() While the phonological loop was initially proposed to represent exclusively speech-based information ( Baddeley & Hitch, 1974), there exists debate as to whether other auditory information is maintained via this cognitive resource ( Jones & Macken, 1993 Salamé & Baddeley, 1989), with some research suggesting that tasks involving voluntary musical imagery may also recruit phonological working memory resources ( Aleman & van’t Wout, 2004 Nees, Corrini, & Leong, & Harris, 2017 Smith, Wilson, & Reisberg, 1995), or may employ a common rehearsal mechanism ( Williamson, Baddeley, & Hitch, 2010). Hence the existence of the Zeigarnik effect for unfinished songs has received mixed findings in past research.Īccording to the Baddeley and Hitch working memory model ( 1974), immediate memory for information requiring verbal coding is facilitated by a limited-capacity phonological loop that employs subvocal articulation to rehearse phonological information and prevent it from decaying. However, an experimental study by McCullough-Campbell and Margulis (2015) found no difference between finished and incomplete songs in subsequent self-reported earworms. (2013) found that if the final song presented continued to play in participants’ heads at the end of the class, it was reported as an earworm more frequently in a follow-up survey 24 hours later, interpreted as partial support for the Zeigarnik effect. In a series of in-class experiments, Hyman et al. ![]() Accordingly, an earworm may develop after the frustrated attempt to hear a song to its completion. In general, people might be more likely to recall an unfinished task than one that is complete, a phenomenon known as the Zeigarnik effect: when interrupted partway through a task, one feels a sense of incompleteness, resulting in an increased desire to finish the task, and a greater prominence of the task in memory ( Zeigarnik, 1938). Some have theorized that a song is more likely to get stuck in the head if it is partially heard than if it is heard in its entirety ( Hyman et al., 2013), potentially because people are compelled to engage in “imagined vocalization” in order to complete the song ( McCullough-Campbell & Margulis, 2015). Similarly, it possible that an earworm may arise simply due to the manner in which a song is heard. Together, these findings indicate that simple exposure to music can render a song more likely to get stuck in the head. Research finds that factors such as recent and repeated presentation of music are influential in the development of an earworm ( Byron & Fowles, 2015 Floridou, Williamson, & Stewart, 2017 Halpern & Bartlett, 2011 Liikkanen, 2012). Moreover, despite the common belief that earworms are annoying or unwanted ( Beaman & Williams, 2010 Cunningham, Downie, & Bainbridge, 2005), research indicates that most songs people report getting stuck in their head are those that they enjoy ( Halpern & Bartlett, 2011 Hyman et al., 2013 Williamson, Liikkanen, Jakubowski, & Stewart, 2014) and to which they commonly listen ( Halpern & Bartlett, 2011). In general, while there are certain songs renowned for their intrusive qualities, earworms tend to vary among individuals ( Hyman et al., 2013). There is debate as to whether any song can be experienced as an earworm or whether there are particular predisposing characteristics of “sticky” tunes ( Finkel & Müllensiefen, 2012 Jakubowski et al., 2017 Williamson et al., 2012). Together, these findings suggest that an earworm results from an unconscious desire to sing along to a familiar song. Additionally, results from a lexical decision task indicated that many participants’ keystrokes synchronized with the tempo of the song just heard. Experiment 2 ( N = 50) replicated the effect using songs with which the participants felt compelled to sing along. Moreover, the effect was stronger for songs rated higher in terms of the desire to sing along. Performance was indeed poorer following catchier songs, particularly if the songs were unfinished. Experiment 1 ( N = 30) used songs predicted to be more or less catchy half of the sample heard truncated versions. We predicted that the music would be maintained in working memory, interfering with the task. In two experiments, a dual-task paradigm was employed, in which participants undertook a phonological task once while hearing music, and then again in silence following its presentation. Music that gets “stuck” in the head is commonly conceptualized as an intrusive “thought” however, we argue that this experience is better characterized as automatic mental singing without an accompanying sense of agency. ![]() ![]() ![]() To provide metadata, libraries generally employ professional catalogers with subject knowledge and appropriate cataloging experience to make these hidden and possibly valuable library collections searchable and discoverable in a timely manner. Released as an open source application, Metadata Maker supports diacritics and Unicode non-Roman language encoding, and creates metadata records that ensure discovery and access of unique library collections.Īs more resources purchased by libraries come with vendor provided cataloging records or via other libraries through cooperative cataloging initiatives, cataloging and metadata operations in academic libraries are focusing on processing more unique materials and hidden collections that have not been available to users because of a lack of metadata. To improve the cataloging and metadata creation workflow, the University of Illinois at Urbana-Champaign Library developed a web application, Metadata Maker, which allows anyone to create metadata in four different formats, including MARC21 for an online public access catalog, regardless of their familiarity with metadata standards or systems that utilize the metadata. However, creating MARC format metadata is an expensive process libraries need professional catalogers with appropriate experience and knowledge or must train staff to do the work. Manuscript submitted Mareturned to authors for revision revised manuscript submitted Jreturned to authors for minor revision Septemrevised manuscript submitted Octoaccepted for publication November 9, 2015.Ĭataloging and metadata operations in academic libraries are focusing on original cataloging of their unique and hidden collections that have not been available to users because of a lack of metadata. Ream-Sotomayor ( is the Foreign Language Cataloging Coordinator, Patricia Lampron ( is a Metadata Services Specialist, Janet Weber ( is Cataloging Services Coordinator, and Deren Kudeki ( is Project Programmer at the University of Illinois at Urbana-Champaign. Ream-Sotomayor, Patricia Lampron, Janet Weber, and Deren Kudeki Making Metadata Maker: A Web Application for Metadata Production ![]() Bomber Crew is a World-war 2 strategic bombing. ![]() Requirements Cheat Engine 6.6 / 6.5 GTA V How to use? Open the.CT file Click on the computer icon (upper left part) Click on 'Open'. Bomber Crew Infinite Money Intel points and exp cheats Tmato cheat engine: : Cuphead Immortal Infinite magic & coins cheats Tmato Cheat Engine: : Airport CEO Infinite Money Cheat Tmato CE: : Fight of Gods Immortal, infinite time cheats Tmato Cheat Engine. Actually Instant RP is safer than the instant RP found on other mods. The RUF CTR-3 and Koenigsegg Agera R are the two only capable cars to achieve that level of speed.Using this guide you will be able to find all wreck parts locations, learn all about perks and money cheats. Even if it uses Cheat Engine it's safe (Cheat Engine itself is not detected). This question gets asked a lot and the answer is yes (for now). Then type one of the following cheat codes below Cheat Code Result GenerateOfficer(“officer name”, GetFaction(“terran”)) CreditResource(‘crew’, 90000) – 90000 crew CreditResource(‘materials’, 90000) – Gain 90000. Cheat Codes First go into settings, gameplay then dev mode then close that and press ` or tilde (The Key Above TAB) to open the console. I couldn’t stop it, I had been unwell until eventually I learned to participate in, so I could hear these appears, once declared Zimbabwe’s Mbira Queen maestro, Stella Rambisai Chiweshe. WhatsApp “When I initial listened into the mbira sound, I required to listen to more and more. ![]() Use our Bomber Crew message board to communicate any issues with the trainer, request assistance or just make general comments regarding the game. Bomber Crew Message Board Our Bomber Crew Trainer is now available for version 6092 and supports STEAM, WINDOWS STORE. ![]() With the quantity of stirred activity that goes into film, media, and television creation, this aspect of the program is superseding to allow colleagues to rapidly follow up on their inventive driving forces to build up their creations. ![]()
This above all to thine own self be true. To thine own self be true, and it must follow, as the night the day, thou canst not then be false to any man. Where hope is coldest and despair most fits. The Merchant of Venice (3.2) On expectations ![]() ( The Taming of the Shrew 3.2.228-31) On JealousyĪs doubtful thoughts, and rash-embraced despair,Īnd shuddering fear, and green-eyed jealousy! She is my goods, my chattels she is my house, The fittest time to corrupt a man’s wife is when she’s fallen out with her husband. Men are April when they woo, December when they wed: maids are May when they are maids, but the sky changes when they are wives. Good friend for Jesus sake forbeare, To digg the dust encloased heare! Blest be the man that spares thes stones, And curst be he that moves my bones. I count myself in nothing else so happy as in a soul remembering my good FriendsĪ friend should bear his friend’s infirmities. Related 30 Short and Straightforward Ernest Hemingway Quotes on Life and Writing Neither a borrower nor a lender be, for loan oft loses both itself and friend, and borrowing dulls the edge of husbandry. Words are easy, like the wind Faithful friends are hard to find. (As You Like It – Act 3, Scene 5) On Friendship (The Tempest – Act 3, Scene 1) ‘Mistress, you know yourself, down on your knees, And thank heaven, fasting, for a good man’s love’ (The Two Gentlh3en of Verona – Act 3, Scene 1) ‘I would not wish any companion in the world but you’ (Romeo & Juliet – Act 1, Scene 1) ‘Love is like a child, That longs for everything it can come by’ (Twelfth Night – Act 1, Scene 1) ‘Love is a smoke and is made with the fume of sighs’ (A Midsummer Night’s Dream – Act 1, Scene 1) ‘If music be the food of love, play on’ ![]() ‘Love looks not with the eyes, but with the mind, And therefore is winged Cupid painted blind’ In Shakespeare’s works, every person can find wise words and inspiration for themselves – parents listen to his advice when raising children, romantics for centuries cite his words about love, as well as realists, treating them as a guide to life, as well as readers who need moral support and guidance through their lives.īelow are presented some of the most interesting quotes from Shakespeare’s poems that help to live and fight. Reading Shakespeare’s oeuvres in the original gives a unique opportunity to deeply feel and understand the author, to enjoy his syllable and style of writing, to understand the whole essence of his immortal statements about the futility of our existence in “Macbeth”, the need to control our desires and dreams in “Caesar”, all think carefully before talking in “King Lear” and about how important is the integrity in “Hamlet”. This talented playwright in his works described the joy, love, hardships of human life he skillfully weaved all sorts of feelings of people, creating eternal masterpieces that can be quoted over the years. William Shakespeare, the great English bard, wrote his works about five centuries ago, but even today his words about so important for mankind emotions and relationships are strongly relevant. ![]() ‘Mistress, you know yourself, down on your knees, And thank heaven, fasting, for a good man’s love’.‘I would not wish any companion in the world but you’.‘Love is like a child, That longs for everything it can come by’.‘Love is a smoke and is made with the fume of sighs’.‘If music be the food of love, play on’. ![]() Meanwhile, if you can stand more Eitzel, my interview with the man himself is in today's Herald. ![]() But not nearly as much fun, admittedly.Īn interesting week: conversations with Sufjan Stevens (we last met in 2006, sitting on the grass in McCarren Park in Greenpoint, Brooklyn he was sweet and pretended to remember), Charlie Watts and Alison Goldfrapp, covering topics as diverse as soul singers turned elevator attendants, sharing a tailor with Sonny Rollins, and writing non-Beatlesy music for a film about the young John Lennon. Easy to mock (the title, the earnest acceptance of every rock cliche, the lyrics, the lack of ambition), much harder to be constructive. Though we all stand in the shadow of death, the ability of the greatest artists (and of someone such as Thomson himself) to look that reality in the eye, and live (or write or sing) even more fully because of it, is what makes living worthwhile.”įinally, read my – admirably even-handed, I thought – review of the new Stereophonics album here. I know a few visitors regularly pop in to this blog from Italy it can be bought here, and no doubt at other reputable libro-vendors.Īlso, ambling into the party a mere 15 months after publication, but no less welcome for that, there’s a review of Reno on the Uncommon Threads blog, which calls the book “compellingly readable and expertly handled… the greatest feat for an entire book written on a topic such as death was the fact that it never grew obsessively morbid or morose, and eventually resolves poignantly and resolutely. The Italian printing of I Shot A Man in Reno now appears to be on sale, expertly translated – or appallingly translated, how would I know? – and published by Arcana. Trying to please other people is different and enjoyable." Writing for film was a way to escape the inside of his own head.įeaturing interviews with Karen O, Goldfrapp and Badly Drawn Boy, you can read my cover story about pop musicians writing for film in today’s Guardian 'Film & Music' supplement. Basically, it's not about me – that's what makes it easier. I felt attached in many ways, but when you're writing music for someone else, you can step back. "When something like this comes along, you can detach yourself from it emotionally. "One of the hardest things as an artist or musician is that you're expressing yourself, and you sometimes feel you're not ready to do that," says Damon Gough. All that autonomy, freedom of expression and relentless self-analysis can be burdensome. ![]() More followers than leaders, perhaps more craft than innovation more heart than head."Īlthough there's next to no money to be made in writing for film, and all along the line the musician's vision is subordinate to that of directors, editors and producers, the chance to be a mere cog in a much larger machine seems to offer welcome relief from the essentially solipsistic nature of songwriting. Perhaps that’s why, while there has been no shortage of talent, it’s hard to argue that many artists – aside from Donegan and the Postcard bands, whose legacy lingers in modern groups like Bloc Party, Vampire Weekend and Franz Ferdinand – have been particularly influential. Scotland has always had its stand-alone mavericks – the great Alex Harvey, an explosive mix of Jacques Brel and Bar Brel Billy Mackenzie, perhaps the nation’s most complex and innately gifted pure pop star and Bobby Gillespie, who for all his studied posturing has refused to allow Primal Scream to become a fixed entity – but in the main the body has been Zelig-like, an often thrilling patchwork of borrowed identities. "Scottish pop music is less about a distinct musical identity than a shared sensibility, primarily communicated through a voice that, like the country as a whole, often doesn’t know whether to laugh or cry, hit or hug. |
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